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Sibelius convert string quartet to piano4/16/2024 As the section proceeds, quasi-minimalist arpeggio figures take precedence, giving rise to musical permutations of utmost suggestive power.Ĭompleting its circle, from bar 253 onward, the score harks back to its unhurried opening textures. Once completed, the opening cycle gives away to pulsating chords, taking wing over gently shifting pedal-points. In the course of the 74-bar opening, slowly rotating chordal progression is unveiled, awash with sonic warmth and harmonic glow, with long-held dynamic curves embedded. Idiomatically conceived, the score makes great use of the solo instrument’s harmonic and rhythmic potential, to a captivating effect. Given in terrific premiere outing by accordionist Janne Valkeajoki, Hilli’s spellbinding Teddy is cast in single, fifteen-minute arch, with slowly unfolding, colorist Tranquillo outer passages framing more kinetic Tempo giusto, affettuoso, con calore central section. 20 (1900/1911) for cello and piano by the master of the house. Summoned to Ainola, the home of Aino and Jean Sibelius, the members of Kamus Quartet and their fellow musicians presented the fully packed house with two iterations of their marvelous afternoon programme, featuring the first performances of Sebastian Hilli’s Teddy (2023) for accordion solo and Outi Tarkiainen’s Trois poèmes (2013) for string quartet, alongside a selection of songs and Malinconia, op. Second festival day, second world premiere. Composer Sebastian Hilli and accordionist Janne Valkeajoki after the world premiere of Teddy (2023) at Ainola.
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